1. Andrei Rublev by Andrei Tarkovsky - Peter Levine
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In the Guardian, Steve Rose called Andrei Rublev by Andrei Tarkovsky (1966) “the best arthouse film of all time.” When I had a day alone recently, I watched its three hours. Here are some notes that don’t duplicate anything I can find in English on the Internet. They do contain plot spoilers.
2. Across Time: Filmmakers Reflect on Andrei Tarkovsky's Mirror
Jul 12, 2021 · Without wearing much makeup and barely adjusting her ash blonde hair, she inhabits overlapping time frames and delivers a performance that's ...
Publication with a focus on independent film, offering articles, links, and resources.
3. Nature as “Comfort Zone” in the Films of Andrei Tarkovsky - Offscreen
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In this essay Totaro analyzes the unique thematic and aesthetic import of Tarkovsky’s use of nature.
4. ANDREI TARKOVSKY, SCULPTING IN TIME: NOSTALGHIA
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5. [ Nostalghia.com | The Topics :: Stan Brakhage meets Andrei Tarkovsky ]
It was just a miracle that Andrei ... He was there with his rather large, Russian wife with blonde hair. Tarkovsky himself has blue black hair and moustache and ...
This is Nostalghia.com, an Andrei Tarkovsky information site
See AlsoFuuma no Kojirou: Yasha-hen
6. [PDF] 'Last of the Kodak': Andrei Tarkovsky's Struggle with Colour. By Richard ...
Saturated colours are restricted to individual details. For example, one of the few prominent colours in Mirror is the red hair of a girl from the narrator's ...
7. A Deleuzian Analysis of Tarkovsky's Theory of Time-Pressure, Part 2
A straight cut to the woman with blonde hair in medium close-up follows. She ... Andrei Tarkovsky: The Winding Quest. London: The MacMillan Press Ltd ...
Part two of Menard’s unique ‘cine-physics’.
8. Untranslatable Mother: Tarkovsky, Zurlini, and the Madonna del Parto
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Later on, in high school, I would see those same artworks in my books and listen to my professor explaining their importance. Probably because they were within a five-minute walk and I knew them by heart, I didn’t have any real interest in them, nor in any of what Pasolini would call “my intimate, profound, archaic Catholicism.” I was interested in Hegel.
9. Contained In Captivity: On Andrei Tarkovsky's "Mirror" (Zerkalo)
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Andrei Tarkovsky's Mirror (Zerkalo) is a great film that deals with dream, fantasy, and the interstitial within such categories.
